แสดงบทความที่มีป้ายกำกับ Approach แสดงบทความทั้งหมด
แสดงบทความที่มีป้ายกำกับ Approach แสดงบทความทั้งหมด

วันจันทร์ที่ 24 มกราคม พ.ศ. 2554

A Mythological and Archetypal Approach to "Harry Potter and the Sorcerer's Stone" by JK Rowling

The first installment in the series of Harry Potter books, Harry Potter and the Sorcerer's Stone, can be analyzed through the various archetypes and myths present in the novel.

To begin with, let us look into the so-called heroic quest of Harry. As the story unfolds, Harry goes through the classic and mythic stages of a hero's journey. First to these is a call to adventure. In the story, Harry receives the letters from Hogwarts. Second is a separation from the known world. This is seen in the part where Harry leaves for Hogwarts. Third is an initiation into the new world. This is evident in the Sorting ceremony, where Harry undergoes a placement-like ritual through the Sorting Hat. Next is the presence of threats which can be observed in Harry's rivalry with Malfoy and also his encounter with the Mirror of Erised - both of which tried Harry's character and desires. Another is the existence of a fellowship which can be justified by the characters of Ron and Hermione. The guidance of a mentor, through Hagrid and Dumbledore, the final confrontation with darkness - Harry versus Voldemort over the stone - Afterwhich, comes a rebirth or resurrection through Harry's victory over Voldemort and finally, the hero's return to the old world - Harry returns to his home, but this time he knows who he really is.

The Sorcerer's stone or what is also known as the Philosopher's stone is a traditional element from mythology that appears in Rowling's work. In the story, the stone was created by Nicolas Falmal, Dumbledore's partner, whose character is actually based on the history and legends surrounding thr real French alchemist Nicolas Flamel. The stone, both in the novel and in the field of alchemy, is described as a small red ball that can turn metal into gold and can also create an elixir that can grant eternal life.

The character of Lord Voldemort clearly illustrates the power of fear throughout the novel. In fact, most wizards, except Dumbledore, dare not refer to him by name. Instead, he is referred to as, 'He Who must Not Be Named'. In this manner, Voldemort is taken as a metaphor for fear, which is a common element of mankind.

Most of the names of the characters in the novel have relevant meanings. One example is Headmaster Albus Dumbledore. His first name is derived from the Latin word alba which means 'white'. His last name is old English for 'bumblebee'. In symbolism, white stands fro purity, so the headmaster's name suggests honor and a hard-working nature. Another example is Professor Severus Snape. Severus is the Latin word fro 'severe' and 'strict' - adjectives that can truly be associated to the professor's character.

In Harry Potter, there are four Hogwarts houses. Gryffindor is the Hogwarts house to which Harry and his friends belong. Gryffindor is derived from Griffin, which means a fierce, legendary beast with the body of a lion and the head and wings of an eagle. And that is why this Hogwarts house uses a lion as its symbol. On the other hand, Slytherin, Gryffindor's rival house, is actually a variation of 'slithering' a method of travel for snakes, the very reason perhaps why its symbol is a serpent.

In terms of archetypal men, Dumbledore is what we call, The Chief. He is a leader of wizards, highly-respected and he looks over his subjects very well. The Bad Boy, no doubt, is Voldemort. And we can also say that Ron's character is fit to be the best friend archetype. In archetypal women, The Boss can be associated to Deputy Headmistress McGonagall due to first, her position in the school and next, her wise character. Hermione's character, on the other hand, can be classified as The Librarian archetype. She has answers for almost any question because she has read a great deal of books and she can also be fierce, once provoked.

Overall, Harry Potter and the Sorcerer's Stone is one great novel that captured the hearts of both young and old alike for its myths and archetypes that bind all the readers together all over the world.

วันอาทิตย์ที่ 28 มีนาคม พ.ศ. 2553

Writing Epic Fantasy - Taking a Courageous Approach to the Genre

One of the most commonly heard quotes in our world, especially in motivational circles and in Internet marketing is: "Don't reinvent the wheel." The advice for the writer is to read other peoples work, notice what is successful, and follow the formula that they have perfected. This way you can be "successful" without having to put in too much work. If this is what you want to do then I have laid the formula out for you right here. In eight easy steps you too can be a successful epic fantasy novelist.

The formula for success:

1. Create a bunch of interesting non-human characters like orcs, dragons, elves or dwarves; of course your hero should be human or nearly human

2. Put them in a fantastical world filled with magic and secret places

3. Open up your novel with something exciting to get the reader hooked

4. Keep the action moving - insert a series of small obstacles that need to be overcome

5. foreshadow something really big that will happen (won't happen in this novel though -if it ever happens at all)

6. Come up with two big things that will happen and when they are resolved they cancel each other out so the plot hasn't advanced at all

7. Make a big lead up to the next novel (promise the moon)

8. Repeat steps 3-7 in the next novel

Before you follow this formula (Which is guaranteed to make you a wealthy and successful novelist in less than 30 days) why don't you stop and think about why you want to write epic fantasy.

You are probably writing epic fantasy or thinking about writing it because of the appeal of creating a hero that you can admire. You want to write a story about an average person (or hobbit) that goes against the grain, ignores popular opinion, and yet somehow comes out triumphant in the end. So why are you not going to follow this path in your own writing?

Isn't this a bit of an irony? It's kind of like watching a bunch of Bruce Lee movies then writing a book on self-defense. It is all technically sound but in your own life do you actually do it?

In Epic Fantasy the basic tenet is about having courage -courage in the face of insurmountable odds or even probable death and the courage to continue on when the path is dark. It's what we admire about the genre. It's why we read the genre. The little guy (often little is literal as in a hobbit as in lord of the rings or a even a rabbit as in Watership Down) overcomes everything to do what is right. He fights internal conflict, battles evil creatures, and learns something about himself along the way. The great writers of the genre had this courage.

Tolkien was terribly criticized for his work when it was first published. But he believed in the world he was creating and he persevered. Stephen King had the courage to move freely across different genres even within the same book. Robert Howard had the courage to write what he wanted to write even though he never gained the financial reward that he deserved. Frank Herbert had the courage to tackle the big questions and the big themes in life. And do you think Harry Potter would have climbed to such heights if J.K. Rowling didn't truly believe in Harry?

So where are the muscle bound struggling writers of the epic fantasy world with the courage to push for what is right? Is the next writer to advance the genre out there somewhere? Maybe it's you?

Some advice

Have courage! Don't write something because you think it will sell. Don't shoot for something popular. Don't read the currently popular epic fantasy novels and follow the same formula. Remember: this one of the basic lessons of epic fantasy itself -not to follow popular opinion. You are writing an epic fantasy story and your main character is no doubt going to face challenges on an epic scale. Have the courage to do the same thing. Come up with something new.

It's about the ideas

Epic fantasy isn't really about the slaying of dragons and the rescuing of princesses. It's about deeper meaning. It's about finding meaning in life. It's about taking a road never before taken and facing the unknown challenges that await. Follow this same path in your life and in your writing.

Forget about the grammar - for now

Too often a writer gets caught up in sentence structure, grammar and a host of other technical minutiae. You are going to break new ground. Let the story grow and let the ideas flow. Worry about the grammar later. For now you should just write. Get your ideas on paper. The world is waiting for your novel. Take a chance and go against the grain of popular belief. The world will thank you for it.

Need some help?

If you have written an Epic Fantasy novel that you think is courageous and none of the publishers will touch because it's too risky then send the manuscript to me. If I agree that it is something special -something worthy of a hero, I will get it published even if I have to pay for it myself. No thanks necessary and no financial reward considered. Just think of yourself as Bilbo and me as your Samwise Gamgee.